Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique.
Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique.
Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate the sound of a muted trumpet.
The Chthonic Fuzz (pronounced: THAH-nik) creates fat, corpulent, fudgy, sludgy, fuzz tones designed to pair perfectly with single-coil, P90, gold-foil, and DeArmond style pickups.
VP26-11 Volume Pedal featuring a high performance external potentiometer for manual sensitivity adjustments and a long lasting life. It also has a heavy metal base for safe, stable use.
The sound of the 1962 ‘Bluesbreaker’ amplifier began a legend, with the smooth tone, rich warmth and full character that gave guitarists more expression than ever before.
The Drivemaster is based on the original Guv’nor but takes things a stage further with a new tone and drive network. The Drivemaster’s three band tone network acts as if adding an extra amp to your set up, with real Marshall tone and overdrive.
Released in 1988, The Guv’nor was the first pedal that squeezed Marshall’s ‘big black box’ sound into a ‘little black box’. Fast forward to the present day and now this vintage reissue is here to do it all over again.
This all new effects unit has been developed by Fumio Mieda.
The HD-S effects pedal combines three different distortion circuits to create harmonic modulation that goes beyond the traditional concept of distortion.